THE ORLANDO GIBBONS PROJECT: CROWDFUNDING HAS JUST STARTED
RUNNING UNTIL OCTOBER 10TH
Your help would be hugely appreciated and plenty of rewards are available!
I hope you will excuse me writing to you about what may appear to be simply another private project trying to get your attention, but I do feel that it is one that is of importance to all who enjoy playing great English viol consort music. All of us who have ever played the magnificent Fantasies and In Nomines of Orlando Gibbons know what a superb instrumental composer he is. Many others know him as an exceptional writer of vocal music but may never have heard his viol consorts. The remarkable thing about his consort verse anthems is how those two worlds are brought together. This November, the viol consort Fretwork, as part of its 30th anniversary celebration, will be making the first complete recording of this music. You can read all about the project here:
We want more viol players to have the opportunity to take part in performance of masterpieces such as This is the record of John and See, see, the Word is incarnate as well as several other Gibbons anthems that have scarcely ever been heard. In drawing attention to this magnificent but still neglected repertoire, we hope that we may encourage many more singers to look for consorts with whom to combine, and you can help us do that.
Our project is very expensive - well over £30,000, since it involves several of the UK’s leading specialist singers and performers of early 17th century music, because we are presenting the music in a much more intimate and detailed way than the traditional choral manner. Our fundraising is going well, but now we really need your help to complete it. There are just 3 weeks in which to do that.
PLEASE FOLLOW THIS LINK TO CONTRIBUTE!
Thank you very much.
The Orlando Gibbons Project
Pedro Funes is currently the Assistant Orchestra Director at Oak Ridge High School in Conroe, Texas. He graduated from the University of Houston where he majored in Double Bass performance under Dennis Whittaker. He was the Head Orchestra director at Park View Intermediate School for 3 years. In addition, he received his Master’s Degree in Early Music at Indiana University’s Historical Performance Institute at the Jacobs School of Music where he was the recipient of an Associate Instructorship. Mr. Funez studied viola gamba and vielle with Wendy Gillespie and performed baroque bass in the IU Baroque Orchestra under Stanley Ritchie.
In Fall 2011 he co-founded Les Touches and in Summer 2015, the ensemble was a finalist for the York International Young Artist Competition. He was the Teaching Assistant for the Beginner Viols at Viola da Gamba Society of America’s Conclave 2016. He has performed with Ars Lyrica and Texas Early Music Project. Currently he is the President of Viols of Houston , Vice President of Houston Early Music, and Director of the Young Players Weekend for the Viola Da Gamba Society of America. In Fall 2015, he received a Loan Consort from Viola Da Gamba Society of America and started a viol class at Oak Ridge High School with 14 students in the initial program.
How did you (personally) come to the field of Early Music?
I became interested in Early Music when I was a high school student and played double bass. We would often play concerto grossi by Corelli, Locatelli and Torelli and I fell in love with the style of music and found that I enjoyed playing the continuo lines. During my undergrad at the University of Houston where I was pursuing my studies in double bass performance I met Matthew Dirst and introduced me to the viola da gamba. As they say, the rest is history! I immediately contacted the local viol group and started taking lessons with Carter Crawford. By the end of my first year on the viol I realized this was where my passion lie so in 2010 I moved to Indiana and to further my education at the Historical Performance Institute at Indiana University with Wendy Gillespie.
How did the Viola da Gamba program at Oak Ridge High School start?
Since I have started teaching at the Oak Ridge High School in 2011, my chamber music partner, Stephanie Raby, and I have been doing demonstrations of the viol and early music for the students. They consistently showed interest in the instrument during our performances, however there were no instruments available for them to learn to play on. I was excited by their enthusiasm for the instrument so I applied for the VDGSA’s Loan Consort Program and was granted 6 viols. Supplemented by a couple of instruments loaned by Viols of Houston 14 students were able to participate in an after school program. When she was in town, Sarah Mead would help coach the groups and give the kids playing a boost. The program was so successful that in 2016-17 it will become an actual class during the day.
Tell us about your most memorable concert experience.
The final recital this May for the viola da gamba students was a great one. It was that moment when all they learned finally clicked, and they understood what it was to play in a chamber group. They like all the repertoire that I pick for them, and I am constantly amazed how much they like all of this “old stuff”. It is great to work with students who are so enthusiastic and curious about the viol and its repertoire.
Unexpectedly, you have two hours of free time later today… what will you do?
It is a very rare day that I have free time with my hectic schedule working a full time job and volunteering with several non profits. On that rare occasion though, I like to read a good book or spend time with my cats Marais and Elsa.